So glad to be sketching outside again! Thankfully things are beginning to open up a bit. The conundrum is the balance between possibility and probability. There is a possibility of becoming infected anytime I have contact with the world outside my condo, however the probability of infection is the more critical factor. So I have been quite comfortable going out sketching while alert to keeping the probability of infection low. Here is some art from the week – sketches and studio.
Workshop update – so far two people have expressed interest. The Cafe and Wine location is not working out, so I am exploring some other options. Let me know your interest between the topics of Cafe Sketching, or Sketching the Sound.
Some of my best travelsketching memories are from cafes and pubs. After four months of staying in I am ready to get out for a bit of la culture du café; it seems like the perfect excuse for a workshop along with a bit of celebrating. So here is the plan, rough as it is at this point.
Target dates are the second or third week of July, most likely on a week day afternoon.
Cafes and pubs are so often the source of travel memories so that will be our topic: Sketching in the cafe. We will try our hand at sketching food and drink, as well as the ambience of the place.
I am working out the details with a local cafe here in Mukilteo that has an outside deck, for easy social distancing, one person to a table, yet configured well for a workshop. Here is the good part, as part of the workshop registration you will get an appetizer plate and a glass of wine, second glass is on you.
There will be a limit of eight due to space, both logistical and social. So let me know of your interest, even before I post it on my blog, so I can reserve a spot for you.
Here is a gallery of a few cafe sketches I have done over the years.
Travelsketching often means sketching while sitting or standing in odd places and positions, thus making it a challenge to juggle a sketchpad, pallet, water, etc.
When sketching at a cafe or a pub your setup it is pretty easy – you have a table in front of you. So the only real decisions are which sketchbook, and do you use a waterbrush or get a container for water and a natural brush. Most often I just ask for a small glass of water with no ice. I do carry a collapsible metal container that reduces down to about 2” in diameter and ¾” thick.
When in the field it helps to have a system, trying to balance a pallet on my knee has resulted in many dropped pallets and a lot of frustration. Here are my two basic travelsketching setups.
Here is the setup I use most often
This is the reason I prefer hard sketchbooks, though the same set up does work fine on soft covers.
Most often I end up sketching on my lap, even when there is a table in front of me, must be a habit from all the times I have sketched sitting on rocks or logs. With the pallet clipped to the pad it does not slide and fall. So this is pretty easy and quick. The other clips hold down the pages
If I am using loose sheets this is the setup
I used the cardboard backing from a pad of watercolor paper, they are about ¼” thick and quite rigid. White duct-tape covers the edges, and creates a hing so it folds in half. The two clips on either side hold the paper in place, and they are on the fold, holding the board in place; it is quite sturdy.
The water cup is collapsible and held in place by another clip, as is the pallet. Of course if I am using a water brush no cup is needed.
This folding board also works with a sketchbook if you are painting on double pages, or it is a wire bound sketchpad.
Though I use both, the first is the most easy to carry, all it takes is a couple of clips. Most all of my sketchbooks have a clip clipped to the cover so I always have one ready to go.
Hope this gives you some ideas. I would love to see how you set things up as I am always open to new tricks.
Hope you are well, traveling (real or virtualle), and most of all hope you are sketching. Always love it when you share your work.
Ma grande aventure virtualle with sketching was a bit like planning for a trip. Travel agents, tours, and cruises have their place, but it is a limited one in my mind because the planning is an integral part of the journey. We always spend many wonderful hours researching the itinerary, checking out places to stay, trains and planes, restaurants, and the rest. I would not want to give that up to someone else, nor be limited by a group’s schedule – unless there was no other way to visit a place, Antarctica for example.
As I looked for places to visit I spent much time on Google Maps, checking out villages I had never heard of, using Street View to travel down streets, looking for interesting sights; I discovered a couple of places that are now on my list of places I want to visit one day, I also revisited memories from past trips.
Here are the final sketches, and one painting, from this grandeaventure. I hope they motivate you to explore the world, even from the confines of your own home.
I hung out in Najac for a bit, that of course required finding a Patisserie as croissants and baguettes are a basic necessity.
Windows in France are always attractive to an artist, so I did this painting. It is gouache on 6×8 watercolor paper. The souvenirs you make yourself from a trip are far more dear than the trinkets sold at “Souvenir Shops.”
Many years ago we made a brief foray near the French Alps, so on this virtual journey I wanted to go in a bit deeper, found the village of Breil-sur-Roya. The restaurant Le Biancheriright off the main road was a perfect place to sit in the sun while sipping vin blanc and eating escargots.
From the Alps it was easy to head for Nice, a city we visited two-and-a-half years ago – made for a pleasant ending of ma grande aventure.
With things opening up a bit I hope we all get to take some actual journeys, even if they are only a few hours from home. In the meantime I will be thinking of places to travel by car, not too far away. Hmmm, Eastern Washington Wine country and lunch at Wine O’clock in Prosser sounds enticing.
Where will you go? Don’t forget your sketchpad.
AND, just a teaser, no details yet, but there is a possibility of a Travelsketcher workshop in early July. Stay tuned.
Arrived at Gare de Lyon Par-dieu, early enough to grab a coffee and a croissant at the cafe across the street.
My plan was to catch the first train leaving the station, to wherever it went. After a couple of stops and changes of trains in other cities I stumbled upon the enticing village of Najac in the South of France.
A pleasant wind of fate led me to a cheap room near city center, on a whim I took it. I think I will put ma grande aventurevirtualle on hold for a bit and just savor the place, will let you know when the urge to move hits me – for now just keep sketching.
Well, I am off on ma grande aventure virtuelle! First stop, headed back to Normandy in France, was last there three months ago, seems like so much longer.
The Château de Domfront was important enough to be attacked by William the Conquer in 1051. It was ordered demolished during the reign of Henry IV in 1608. Restoration work and a park were undertaken in 1984.
Thanks to the speed of virtual travel, after a morning at the chateau I headed for Le Bouquete, 267km away. Back to a restaurant we went to in March, one of the best dining experiences I have ever had, figured it was worth a repeat.
Le Bouquete is French for bar-b-cue. The restaurant is in a troglodyte cave. Underground, fire and coals blazing, and wonderful food and service. The last time I was here I had the andoulette – a course ground sausage not for the weak of stomach. Thanks to the ingredients of pork, chitterlings, pepper, wine, onion, and seasonings all stuffed into the intestine of a pig, it has quite a strong smell. It is not often found outside of France. The owner was reluctant to bring it to me, but I loved it. This time I think it is just pork for me though, I do like variety.
Done with lunch now I am headed for the train satiation in Lyon, with a stop off at the medieval village of Pèrouges a bit East of Lyon. It was a Gallic community founded in 1167, known for its linens, in 1601 it became French. Today it attracts tourist, easy to see why. From here I will head to the train station in Lyon.
Are you off on any adventures, virtual or otherwise? Let me know how they go.
If we had free tickets to anyplace in the world, where would we go? I have asked people that question all over the world, dreaming about une grande aventure has always been good for conversation, even more so as many of us are still in Le Confinement.
If I asked you that question where would we be off to? We leave this afternoon, where would we go? Leave your destination in a comment, it will be interesting.
Having proposed the question to hundreds of people, the most frequent answer is a bit surprising. I will let you guess for a few days before I reveal my unscientific survey results.
Thanks to Google Street View, imagination, and a sketchpad we can take trips without leaving our home. So I am off on un voyage. I will sketch the journey as I go and post it here and on instagram.
Where would you go? How about taking a virtual trip and sketching the sights? Post your sketches on Instagram and tag them #thetravelsketcher
This is a sketch of Paine Field, I was there and did it the day it opened, so it will be the starting point for my trip, watch for the first stop, and tell me yours.
It was a good week. We did a couple of video chats with friends and family, there is a bit of talk about some things opening up, some of the COVID stats are looking better – I always look for bits of progress.
Sketching and painting this week was all over the place.
This was actually done on location, something that has not been all that frequent these last few week. It was good to see children playing at the beach and a couple of kites in the sky. It seemed like folks were observing safe practices as well.
One of the attractions of Sumi-e is that you get to creat your own worlds, a bit of escapism. I was particularly pleased with the white gouache bamboo on gray tinted paper.
Neville, notrechat, stole my chair, so I sketched it, if he denies it I have proof.
Then of course a lot of the week my mind wandered to France. If the microbes had not taken over the world we would be putting our house on the market about now, with plans to relocate in Normandy.
Sketching took me back to March, I was having un cafe at the base of these stairs to the Chateau de Blois. Which I could do that today.
Hope your week went well, would love to see your sketches! Keep on traveling even if it is only in your imagination.
One of the delights of being a Travelsketcher is being immersed in a place, soaking up the sights and sounds of the people going by, the breeze blowing, while your sketchpad and paints connect you to the environment, actually making you a part of the action. Sketching on location is the superior experience. Yet there are times when it is not practical, see this blog on 3 Times not to Travelsketch. There are times when sketching from a photo make a lot of sense. As I write this many of us are under Le Confinement longing for other scenes to capture beyond the view from a window.
There are many that eschew sketching from photos at all costs, and are non-supportive of those of us that do. Sketching live is best, yet I would rather sketch from a photo than not sketch. Are there special challenges? Bien sur !
It is important to avoid, get over, stop trying to copy the photo you are sketching from. Approach sketching from a photo the same way you would if you were physically present. You would think about composition, pick the focal point or central interest. Think about where the eyesight line will go on your page, avoiding placing it in the center – one-third of the way from top or bottom works well. Do the same things when sketching from a photo.
Identify the key object, building, tree, flower, mountain, etc. and position it for good effect. The rule of thirds usually works – the intersection of the horizontal and vertical lines dividing the page/scene into thirds. I often use the cropping function on my iPad to compose, it works as a viewfinder, blocking out extraneous and distracting objects, and allows me to position the key elements.
If you were actually there you might leave leave things out, quite all right to do that from a photo, and there is no obligation to getting the colors to exactly match. Capture the moment, Erin Hill says she paints the colors she wants, not concerned about matching.
One advantage to drawing from a photo is that you can get the angles right, and the lines in right proportions. One day I must do a blog on proportional dividers, they are a real help.
Pay attention to the dark areas, remember they are what makes art work. It is all about the contrasts of darks and lights. If you don’t emphasize the darks, your sketch will look flat. You may have to exaggerate shade and shadows on the sketch to make it work. (Shade is the dark side of a tree or building, shadow is the dark image that happens on the ground because the tree blocks the light).
Having said all this remember, the most important thing to being a sketcher is to sketch, often. Like any other skill it is about eye-hand coordination, and retaining muscle memory, training you hands to do what your eyes are telling them to do. So sketch, live when you can, from photos when you can’t.
Here are two more gouache paintings of sketching the neighborhood. I am done with gouache for now. What I learned is that watercolor works better for what I do. Before I expand on that I will acknowledge that there are folks out there producing amazing work with gouache, and most likely if I worked at it longer I would get it as well, it is just that right now it does not seem worth the effort.
First off for the style of sketching I do gouache is too slow. Most of the sketches I have done in the last few days with gouache took about twice the length of time that it would take with watercolor.
Most of the time I do the ink first then add watercolor washes. Since Gouache is opaque it covers over the lines, so if I am going to use ink it must be added after the paint dries, so I am not able to approach a sketch in my most comfortable way. Also, I don’t know if this is true or not, but it seems dried gouache is pretty rough, so I am concerned about it damaging pens.
Some gouache painters have commented that dried gouache reminds them of the finish of a pastel painting. I think pastels are amazing but it seems the dried gouache is just dull, photos of the sketch do look brighter, but the original does not.
What enticed me to gouache was that it was opaque, and it could be used a bit more like acrylic or oil as far as painting lights over darks, and yes, you can do that to a degree. Yet when I paint white, using Titanium White, it tends to just gray, not stand out as a highlight. I use white gouache with watercolor regularly, it works well with watercolor so I am sure it will continue to have a place in my kit.
I have used black gouache with watercolor to get intense blacks, I can see doing that in the future as well. Traditionalist watercolor painters dismiss white and black as not used by purists. However some of the greats in watercolor history have used both in their paintings, so that is just fine for me. Then there are those who say, “there is not ‘black’ in nature.” Well that may be true, but a lot of what us travel and urban sketchers are faced with do have black, so it is fine by me to use it.
One last thought, I do believe that any artist should try new things as it expands your vision and skills. So try new things, and then don’t feel guilty if you decide it is not for you.
Keep on traveling and sketching, even if you are just traveling around your house or neighborhood.